Untitled 5 (City Lights)

This work stages an architecture of repetition—white, window-like blocks and dark, lattice crossings—held in tension within a broad, curved sweep that feels both panoramic and claustrophobic. The palette of smoky blacks and bruised browns absorbs light rather than reflecting it, so the few pale intervals read like brief permissions to breathe, flickering between openness and confinement. Its blurred striations suggest motion and mechanical memory, as if the scene were witnessed from a passing train or recalled through fatigue, turning the city’s structural order into a private, unsettled rhythm.