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Arranged as a disciplined grid of rounded tiles, the composition turns a childhood lexicon of sweets and wrappers into a kind of contemporary iconostasis—each compartment a small altar to craving, memory, and consumption. Saturated candies, peppermint spirals, and sugar-glossed textures flare against earthier, bruised browns, so pleasure is continually tempered by the shadow of excess and the quiet residue left behind. The repeated geometry steadies the eye while the motifs jostle for attention, suggesting how desire is both catalogued and commodified, sweetened into orderly units even as it remains unruly in the mind.