



Suspended in a pastel firmament, a serpentine monolithβpart mineral, part celestial bodyβcuts through the clouds like a slow-moving question, its marbled reds and bruised umbers suggesting time compacted into flesh. Around it, cherubic figures hover in varying registers of wonder and longing, their gestures directing the eye upward while the scattered, iridescent orbs read as fragile thoughts escaping gravity. The composition stages a quiet theology of curiosity: innocence confronted with an enigmatic, weathered presence, where soft, devotional light transforms uncertainty into reverie.







