

A stark field of off-white is ruptured by a dense, charcoal wedge, as if a certainty has been pressed into silence and then allowed to bleed outward in particulate splatter. The composition pivots on a thin vertical seam—both axis and wound—holding the work in tense equilibrium between order and accident, geometry and dispersal. Subtle washes and drip traces read like residual memory, suggesting that what appears minimal is actually charged with impact, restraint, and the echo of an unseen gesture.







