You Can Move In Sight (The Infinite Corridor)

This work stages vision as a passage: a roughened, earthen vortex opens like a tunnel or lens, its concentric textures drawing the eye inward toward a single, cool point of light. The triangular wedge of shadow cleaves the circle with quiet authority, turning pure geometry into a psychological diagram—invitation and obstruction held in the same breath. Muted bronzes and charcoals suggest time-worn stone, so that the image reads as both a cosmic aperture and an architectural void, where hope is reduced to a distant glint and the journey becomes the subject.