

This totemic, cubist wooden figure reads like a small architecture of memory—stacked planes and carved edges assembling a body from fragments, as though identity were built rather than born. Warm ochres and browns, interrupted by crisp whites and graphic striping, create a rhythmic play of light that makes the surface feel both tactile and coded, like a map of lived experience. The outlined bird motifs drift across the faceted torso as quiet emblems of passage and protection, suggesting spirit lodged within structure and movement held inside stillness. Seen from multiple angles, the form refuses a single stable portrait, turning instead into a meditation on transformation, ritual, and the human need to translate the invisible into material signs.