Untitled 25 (Untitled)

This abstraction stages a tense negotiation between structure and spill, where a cool blue plane and a blunt field of yellow bracket a molten red core that feels both wound and ignition. Thin, calligraphic drips and scraped passages behave like memory traces—evidence of revisions, hesitations, and the painting’s own time—while the broad gray ground quiets the noise into a suspended, urban hush. The composition reads like an interrupted map: boundaries assert themselves only to be breached, suggesting a psyche (or city) held together by provisional lines and sudden, luminous interruptions.