Untitled

Bathed in a burnished field of ochres and ember reds, the composition stages a quiet myth: a seated figure, crowned by a crescent and a storm of hair, offers a pale lotus as if presenting tenderness against the weight of heat and time. The antelope-like companion, adorned with beadlike chains, becomes both guardian and witness—its elongated body echoing the woman’s poised stillness while suggesting a shared, wordless itinerary. Light pools and stains rather than illuminates, so that space feels like memory—layered, drifting, and porous—where symbols (moon, flower, ornament) hold the intimacy of ritual and the ache of solitude in equal measure.