On The Wings (Worlds Within Worlds)

Rendered in stark black-and-white cuts, the scene reads like a mind carved open: a solitary woman in the foreground bears the weight of every room behind her, her downcast gaze and extended hand suspended between offering and emptiness. The dense hatchwork compresses air and time—an hourglass, a sleeping figure, a watchful cat, and repeated women like echoes—until domestic space becomes a labyrinth of memory and obligation. Winged presences hover as quiet witnesses, suggesting that what is “haunting” is not the supernatural but the accumulated sorrow, endurance, and private grief that gathers in ordinary interiors. The composition’s tilted planes and relentless line rhythm turn the home into a psychological chamber, where care and confinement exist in the same breath.