



This exuberant abstraction stages three horned, bull-like presences as shifting constellations of color—red, green, and blue—so that animal vitality becomes a prism through which the entire surface is reorganized. Fractured planes, window-like rectangles, and angled shards interlock like an urban mosaic, suggesting that instinct and architecture share the same restless geometry. The light feels internal rather than atmospheric, radiating from layered pigments that keep the forms in perpetual emergence, as if the beasts are both guardians and currents moving through a crowded mental city. Beneath the celebratory palette, the composition reads as a quiet allegory of competing forces—desire, power, and balance—held together by the discipline of rhythm and repeated shape.







