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The Portal of Rouen Cathedral in Morning Light Gm-14204901

CHF 20
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Giclee Matte Art Paper (24" x 36") 60 x 90cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (18" x 24") 45 x 60cmStretched Canvas (28" x 28") 70 x 70cmStretched Canvas (32" x 48") 80 x 122cmGiclee Matte Art Paper (30" x 40") 75 x 100cmStretched Canvas (16" x 20") 40 x 50cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (18" x 24") 45 x 60cmStretched Canvas (24" x 36") 60 x 90cmStretched Canvas (24" x 48") 60 x 122cm
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Claude Monet (French, 1840–1926) "Everything changes, even stone." Claude Monet wrote these words in a letter and vividly demonstrated them in paint, conveying a wondrous combination of permanence and mutability as the sun daily transformed the facade of Rouen Cathedral. Extending the building's encrusted stone surface to the richly varied impasto surface of his painting, he portrayed the cathedral perpetually re-emerging in the suffused light of early morning.

Monet created several groups of paintings exploring the color, light, and form of a single subject at various times of day, but his Rouen Cathedral series was his most intense effort on a single site. He painted there in late winter in both 1892 and 1893, then reworked his thirty canvases from memory in the studio through 1894. He began this example in 1893, working in an improvised studio in the front room of a dressmaker's shop across from the cathedral.

After creating a coherent ensemble, Monet selected twenty paintings that he considered "complete" and "perfect," including this one, for an exhibition at his Paris dealer's gallery in May 1895. Pissarro and CΓ©zanne visited and praised the series, and patrons quickly purchased eight paintings from the group.

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