Untitled 4 (Emerald Reverie)

This densely worked abstraction suspends the viewer inside a thicket of broken color, where mossy greens and muted ochres pulse against cooler teal flecks like light caught in moving foliage. The all-over composition refuses a single focal point, turning vision into a slow, meditative scan in which depth is suggested through accumulation rather than perspective. Its granular, almost mosaic surface reads as both organic growth and visual noise—an image of nature’s abundance that also hints at the mind’s restless layering of memory and sensation.