



Two mirrored cats sit like silent sentinels on chessboard plinths, their bodies weighted with stillness while their gazes converge on a lone goldfish suspended in a glass bowl. The composition stages a poised standoff between instinct and restraint: a fragile, circular world is balanced atop a precarious house of cards, suggesting how desire and order depend on the thinnest architecture of control. Patterned walls and hard geometric tiles press the scene into a theatrical tableau, where symmetry becomes a kind of tensionβcalm on the surface, yet charged with the inevitability of collapse.







