


Two bovine forms interlock like facets of cut stone, their bodies broken into taut planes that turn weight into geometry and motion into quiet tension. The saturated green and bruised violet read as complementary forces—earthbound fertility set against a duskier, more introspective presence—while the stark white eyes lend the animals a watchful, almost icon-like consciousness. Set against a weathered, masonry-grey ground, the figures feel simultaneously ancient and modern, as if a pastoral archetype has been rebuilt through cubist logic. The compressed overlap suggests lineage and protection, a tender intimacy held inside an architecture of angles.







