Draped in a bruised, moss-green skin that reads like weathered canvas, the form suggests an animal presence held in suspension—both protected and erased—while small, dark protrusions betray a body trying to speak through concealment. The central lacing becomes a surgical seam, turning the “hide” into a site of repair and quiet violence, where the act of covering is also an admission of vulnerability. Set against the clean void and anchored to a severe plinth, the sculpture stages an uneasy ritual of containment, inviting the viewer to consider how identity can be stitched, disguised, and still insist on being felt.
