

Two pale horses surge across the canvas like mirrored impulses, their bodies carved into angular shards of light that suggest motion more than anatomy, as if speed itself has been given a silhouette. The collision of a blazing red disc and a deep blue orb frames the pair in opposing emotional climates—heat and urgency against cool restraint—while the fractured, tessellated ground destabilizes any single horizon. In this suspended gallop, the work reads as a meditation on duality: freedom and control, instinct and design, the mythic charge of the animal set against a world that breaks into geometry under pressure.







