Untitled No 16

This work stages a charged dialogue between gravity and velocity: on the left, pigment descends in thin, hesitant drips like suspended memories, while on the right it surges outward in striated bands that read as pure momentum. A cool, aqueous blue vein cleaves the heated reds and saffrons, proposing a corridor of breath through the painting’s feverish atmosphere—an internal river cutting across a field of combustion. The composition’s asymmetry becomes its psychology, where restraint and release coexist, suggesting the moment when emotion spills past containment and turns into a new, luminous order.