



Three frontal figures emerge like icons from a veil of turquoise and indigo, their calm, unwavering gazes held in tension with a surface that fractures into patterned textiles and drifting, aqueous stains. The repeated red marks at the forehead read as both ritual and reminder—an insistence on identity—while the central, raised palm turns the scene into a quiet act of address, midway between blessing and refusal. Baskets of flowers anchor the composition in offering and labor, yet the dissolving lower forms suggest bodies and stories partially erased, as if memory itself is being washed and reassembled. In this interplay of ornament and atmosphere, the work becomes a meditation on collective womanhood—visible, resilient, and suspended between tradition’s clarity and time’s softening blur.







