Standard EQs delay some frequencies
which produces phase shifts. This can be a problem when mastering or when mixing multi-miked groups. EQ can exaggerate phase shifts caused by using multiple mics on instruments. And with parallel processing
equalizing one path can change its phase compared to the other.
For scenarios where phase is critical—especially mastering—Waves’ Linear Phase EQ is the answer. It’s transparent
free of smearing
and can handle a wide variety of crucial equalization tasks.
Choose Your Transparency
The Broadband version includes a special lowband stage and 5 parametric EQ stages
while the Lowband component’s 3 parametric stages cover 11 Hz to 602 Hz
with the precision of 11 Hz resolution.
Choose Your EQ Shape
Sculpt your ideal response with low shelf
low pass
high shelf
and high pass shapes for every stage—each with a choice of “analog” or “digital” slope characteristics. The ninth shape is a variable-width bell.
Shape the Low Frequencies with Precision
The Lowband component’s design
and Q factor
extract the accurate fullness of bass frequencies down to 11 Hz. 3 low-frequency parametric stages have 5 filter types—low cut
low shelf
bell
high shelf
and high cut.
Mastery for Mastering
Linear-phase EQ’s accuracy and uncolored character have made it a favorite for critical mastering applications. Choose a 12 dB display range to see settings in more detail
or 30 dB for a broad overview of all possible settings.
Features:
3-band
low-frequency component is optimized for low-band surgery
Exceptionally precise curves for consistent EQ
9 response curves for the 5 parametric stages
No learning curve—the familiar interface is like the Renaissance EQ
Broadband component covers the audio range from 22 Hz to 18 kHz
Processes transients with more focus and clarity than standard EQ
±30 dB of boost/cut per stage outperforms most EQs