Untitled 11 (The Encounter)

This intricate drawing stages an encounter between two labyrinthine presences—part figure, part architecture—whose interlocking patterns read like memories made visible. The dense black filigree and cross-hatched shadows press against pale washes of grey, creating a charged negative space where silence becomes as expressive as mark-making. Each eye, coil, and geometric pocket suggests a psyche built from fragments, as if the act of looking is also an act of assembling the self. The composition holds a tense intimacy: a conversation conducted in symbols, where connection and alienation occupy the same contour.