Untitled 7 (Intersecting Rhythms)

This work stages a quiet tension between structure and sensation: a navy lattice asserts order while the creamy ground, built from dense, tactile strokes, refuses to lie flat. Light seems to catch on the ridged impasto like sediment or plaster, turning the surface into a palimpsest where time has been pressed in layers rather than painted in illusion. The angular interruptions and half-formed diagonals read like a map of decisions—routes drawn, erased, and redrawn—suggesting that stability is always provisional, held together by lines that both divide and connect.