Shiva Series 7 (Geometric Harmony)

Suspended against a near-nocturnal ground, translucent planes of emerald, magenta, amber, and cyan interlock like shifting panes of stained glass, creating a slow choreography between concealment and revelation. The central vertical stack reads as both vessel and figure—an unstable totem whose identity is built from overlaps, where each color “remembers” the one beneath it through softened edges and scraped textures. Light is not painted so much as implied by permeability: the brightest forms seem to breathe, while the dark field absorbs their radiance, turning optimism into something hard-won. In this layered geometry, the work becomes a meditation on self-assembly—how presence is negotiated through fragments, revisions, and the quiet pressure of surrounding shadow.