

Across a measured grid, the flock is rendered as a sequence of quiet variations, each sheep both repeating and resisting the lastβan inventory of individuality held inside a collective order. The restrained grayscale and emphatic silhouettes create a calm, archival stillness, while the densely patterned βfleeceβ reads like a topography of marks that turns the body into a field of memory and touch. By flattening depth yet preserving distinct postures and weights, the work suggests the tension between domestication and presence: lives cataloged, yet irreducibly singular within the same pastoral frame.







