Composition No 334 (Harmonious Hues)

A procession of vertical bands—violet, silver, verdigris, earthen umber, and deep cobalt—stands like weathered columns, each hue asserting its own temperature while yielding at the frayed white seams where one presence erodes into another. The scraped, dripped edges act as luminous fault lines, turning the negative space into an active agent that both wounds and stitches the composition, suggesting memory’s tendency to revise what it cannot fully preserve. In this restrained architecture of color, the work oscillates between containment and release, offering a quiet meditation on boundaries—personal, spatial, and emotional—and the fragile negotiations that keep them intact.