Untitled 4 (The City Awakes)

This painting fractures the city into prismatic planes, as if memory and architecture were being seen at once through shifting panes of glass. Cool blues and slate greys establish a contemplative atmosphere, while sudden embers of red and gold flicker like lit windows—brief intimations of human presence within an otherwise labyrinthine, impersonal structure. The composition funnels the eye along angular corridors and tilted façades, turning urban space into a psychological interior where orientation is perpetually deferred. In this tension between shelter and dislocation, the work suggests a metropolis not merely inhabited, but continually reconstructed by perception itself.