Human Interferance In Nature (Contamination)

This sculptural form reads like a wounded organism—part vessel, part cephalopod—its pale, earthen body ruptured by a syringe that turns nourishment into intrusion, and care into threat. The cracked, map-like surface concentrates the drama at the “skull” of the object, while the long, ribboning appendages spill outward in looping gestures that suggest both vitality and collapse. Set against an austere white field, the piece stages a clinical isolation where the warm, fleshy tones feel painfully human, proposing a meditation on dependency, medicalization, and the fragile boundary between healing and violation.