

This work stages a quiet archaeology of the everyday: frayed textiles and corrugated fragments are sutured into a shallow relief, as if memory itself were patched together from what survives. A single red vertical cleaves the muted field like a seam or incision, holding the composition in tension while a small, house-like form hovers below—both shelter and specimen—its worn blues and ochres softened by the surrounding earth tones. The rough edges and exposed fibers refuse polished certainty, suggesting that stability is provisional, earned through repair rather than permanence. In its measured geometry and tactile abrasion, the piece becomes a meditation on boundaries—between interior and exterior, protection and vulnerability, construction and decay.







