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Head of a bacchante Gm-24252501

CHF 20
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Giclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (24" x 36") 60 x 90cmStretched Canvas (24" x 48") 60 x 122cmStretched Canvas (18" x 24") 45 x 60cmStretched Canvas (16" x 20") 40 x 50cmStretched Canvas (32" x 48") 80 x 122cmGiclee Matte Art Paper (18" x 24") 45 x 60cmGiclee Matte Art Paper (30" x 40") 75 x 100cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (24" x 36") 60 x 90cmStretched Canvas (28" x 28") 70 x 70cm
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Charles-Joseph Natoire (French, 1700–1777) Charles-Joseph Natoire, who was often praised for his sensual depiction of the female nude, skillfully evoked the qualities of flesh in the full lips, long neck, rounded shoulder, and smooth, rosy cheeks of this head study. Natoire used meticulous layers of chalk and pastel for his subject's complexion, and long, loose chalk strokes for her hair. He made this drawing as a study for the Entry of Marc Antony into Ephesus , the first of three designs he created for a tapestry series to be woven at the Gobelins Tapestry Manufactory. In the completed design, this figure dances in the foreground, holding a tambourine-like musical instrument in her outstretched arms. Her upward gaze is directed to Marc Antony, who stands behind her, high on his chariot. Natoire's designs failed to please the Marquis de Marigny, Louis XV's director-general of the BΓ’timents du Roi , and only one tapestry from the series was ever produced.

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