



In a restrained monochrome field, the image coalesces into the ghosted presence of koi-like bodies, their forms dissolving and reappearing through veils of wash and abrasion. Broad, watery greys function as a shallow pond of memory, while punctures of black and milky white drift like reflected light, destabilizing the boundary between creature and current. The composition’s sweeping arcs and faint, calligraphic lines suggest motion without spectacle—an elegy of submerged vitality where life is felt more as vibration than as contour. What emerges is a meditation on impermanence: the fish become fleeting symbols of endurance, turning silently within a space that is at once intimate and unknowable.







