Untitled 4 (Intersecting Realities**)

This austere geometric construction stages a quiet negotiation between presence and absence, where two tilted planes seem to hinge around an invisible axis. The restrained palette—matte off-white against deep charcoal—turns light into a material, letting the dark wedges read as both shadow and structural weight. Suspended in a broad field of unmarked space, the form feels like a fragment of architecture or a folded thought, suggesting that balance is achieved not through symmetry but through tension held with precision.