Playing Marbles

This stark, calligraphic abstraction stages a quiet encounter between momentum and stillness: three interlaced, blade-like arcs rise and fold into one another, their overlaps creating a tense, sculptural knot of intention. Against the open white field, the heavy black strokes read as both gesture and emblem—an improvised choreography that suggests growth, conflict, and reconciliation in the same breath. The small, oval form adrift to the side punctuates the composition like a distant echo or witness, implying a fragment of dialogue—an orbiting thought that keeps the central surge from closing in on itself.