

This monochrome composition stages a totemic central form—half vessel, half body—as if memory has been pressed into geometry and asked to stand upright. Soft gradients and smoky veils of light temper the hard-edged cross and triangular motifs, while delicate, drifting lines and leaf-like marks animate the space like quiet breath or migrating thought. The right-hand panel reads as an archive of symbols—measured, repeated, almost ritual—suggesting a dialogue between instinct and order, the intimate and the codified. In its restrained palette, the work feels like a meditation on protection and passage, where identity is assembled from fragments, patterns, and the patient accumulation of signs.







