



This graphite composition treats the human figure as a drifting constellation, layering successive poses until the body becomes a register of time rather than a single, fixed presence. The repeated outlines, all pressed against the spare geometry of the bench, create a trembling rhythm—an oscillation between intimacy and isolation as the seated forms appear to lean, recoil, and dissolve into one another. Light is not modeled through shading but through absence: the pale ground holds the figures in a hushed suspension, suggesting memory’s soft blur and the instability of identity within a crowd. What emerges is a quiet study of motion as emotion—restlessness rendered as overlap, and the fragile boundary between self and other drawn in repeatedly searching lines.







