Untitled 152

This painting suspends an animal form—part horse, part apparition—within a wide field of luminous turquoise, where negative space becomes a kind of psychological weather. The body is built from smoky browns and bruised umbers that dissolve at the edges, as if memory is still deciding what to keep, while small electric streaks of yellow cut through like sudden pulses of clarity. Compositional tensions between solid blocky shapes and soft, drifting passages suggest containment versus instinct, turning the figure into a quiet emblem of endurance caught between shelter and open expanse.