Untitled 4 (Green Abstract with Eyes)

A veil of greens washes the surface like moss over memory, turning the pictorial field into a quiet habitat where figures, symbols, and textures flicker in and out of recognition. Pale, disembodied eyes drift across the composition, lending the work a watchful, inward intelligence—less portraiture than a meditation on perception itself. Scattered geometric marks and soft, stitched-like patterns behave as a private alphabet, suggesting that meaning here is accumulated through repetition and residue rather than declared. The overall effect is contemplative and slightly uncanny, as if the painting were listening back, holding multiple presences in a single, breath-soft space.