Sharnna (Dance of Liberation)

Rising from a dense bed of sculpted leaves, the figure folds inward in a posture of quiet devotion, her bowed head and clasped hands turning the body into a vessel for listening rather than display. The bronze’s mottled patina—greens blooming through umber—acts like time made visible, binding skin and foliage into one continuous ecology where tenderness feels weathered, earned, and enduring. Compositionally, the vertical calm of the woman is anchored by the sprawling, crumpled planes below, a dialogue between fragility and rootedness that suggests renewal emerging from weight. The work reads as an intimate allegory of refuge: innocence not as naïveté, but as a deliberate return to softness within the roughness of the world.