

This riverside tableau stages the city as a quiet ritual: dark, conical spires rise like sentinels from stepped ghats, their mass softened by a cool haze that dissolves architecture into memory. The palette of silvery blues and slate greys is punctuated by small red figures and flags, turning human presence into flickers of devotion and insistence against an immense, reflective calm. Water becomes both mirror and threshold—doubling forms while gently undoing them—so that the scene reads as a meditation on permanence and passage, on how communal life persists within a landscape forever slipping into mist.







