



A concentric labyrinth crowns the composition like a quiet mandate of order, its measured rings counterpointing the softer, fractured field of translucent forms that drift beneath. Warm ochres and muted greens glow through veils of white, suggesting memory surfacing in layers—part domestic still life, part dream-architecture—where figures and objects seem to assemble and dissolve in the same breath. The geometry does not merely organize space; it implicates the viewer in a slow circling of attention, as if meaning must be navigated rather than received. In this tension between diagram and apparition, the work becomes a meditation on how we structure experience while the psyche continually re-edits what is seen.







