

A woven cradle of thorns tips forward, releasing a river of polished stones whose saturated blues, greens, and ember reds read like condensed fragments of landscape and memory. The composition stages an eloquent tension between containment and overflow: rough geodes and striated minerals anchor the pile while smaller pebbles scatter outward, mapping a gentle entropy across the stark white ground. Light skims the varied surfaces—gloss, grain, translucence—so the work becomes a meditation on time’s pressure: what the earth hoards for millennia is momentarily arranged, then offered up as quiet abundance. In this spill of color and weight, the gesture feels both devotional and ecological, suggesting a paradox of preciousness made from what is most elemental.