Untitled 1

Two masked figures lean into one another like halves of a single, fractured thought, their faces reduced to sharp planes that deny intimacy even as their bodies insist on it. The fevered red field presses forward as a psychological backdrop—part siren, part stain—while bruised blacks and cobalt passages dissolve the boundaries of the left figure, suggesting memory, anonymity, or erasure. Delicate, diagram-like markings hover over the surfaces like private notations, turning the encounter into a coded exchange where desire and distance coexist. In this tension between collage-like construction and atmospheric abrasion, the work stages love as both shelter and performance—an embrace conducted through screens.