

Two ornamented cows glide across a hush of grey, their overlapping bodies turning procession into palimpsest—one figure holding the other like a remembered echo. Within their hides, a delicate city unfurls in fine linework, suggesting that the sacred and the civic, the animal and the architectural, are not separate worlds but nested sanctuaries. The muted palette—ash, ivory, and restrained gold—tempers reverence with melancholy, while the lotus silhouettes below anchor the scene in ritual calm, as if the ground itself were offering quiet benediction to their measured stride.







