

Cast in a brooding green patina, the sculpture stages intimacy against ruin: two elongated figures cling together at the edge of a fractured wall, their stillness contrasting with the restless birds that punctuate the ledges and ground. The composition pivots around an arched voidβan opening that reads as both doorway and woundβthrough which absence becomes palpable, turning negative space into the workβs quiet protagonist. Textured surfaces of brick, vine, and relief-like ornament suggest memory accreting over damage, as if tenderness is not a refuge from loss but the very method by which it is endured. In this suspended tableau, flight and embrace form a single meditation on departure, return, and the fragile architecture of belonging.







