

Two ceremonial cows stride in a buoyant, almost dance-like cadence, their rounded forms and tinkling adornments turning a pastoral subject into a devotional procession. Warm ochres and ember reds glow against a tactile, plastered ground, where repeated lotus-like imprints read as blessings pressed into time, while the monochrome temple architecture nested within the drapery folds memory and place into the animals’ bodies. The composition balances playfulness with reverence—ornament becomes language, and the gentle forward motion suggests continuity of tradition carried not by monument, but by living presence.