

This sculptural composition splits a single, moonlike mass into two opposing crescents, turning absence into the workβs true centerβa charged interval where meaning gathers rather than resolves. The cool, metallic surface holds light like a thin skin of ice, while the upright, blade-like shards puncture the quiet plane with a nervous rhythm, suggesting both rupture and the possibility of regrowth. In the tension between polished continuity and jagged interruption, the piece reads as a meditation on fracture: not merely damage, but a deliberate opening through which transformation enters.







