Untitled 1 (Geometric Composition)

This composition assembles an austere city of planes and prisms, where house-like silhouettes and tilted monoliths emerge as quiet archetypes rather than literal architecture. A dominant field of red presses in like atmospheric heat, while muted greens and slate blues create measured counterpoints, lending the scene a disciplined tension between stability and unease. The faceted geometry suggests spaces built from memory—structures that feel simultaneously protective and precarious—inviting the viewer to read the work as a meditation on how order is constructed, and how easily it can slip into abstraction.