Surrounding Ganges At Night (Urban Tapestry)

This abstract composition reads like an archeology of the city’s psyche—rusted ochres and charred umbers layered into a weathered grid that suggests walls, corridors, and the quiet accumulation of time. Slender vertical drips and incised white tracery cut through the surface like fragile signals, turning the painting into a tense dialogue between structure and interruption, order and erasure. Scattered geometric shards hover at the edges of legibility, as if memories of architecture are breaking apart into symbols, inviting the viewer to navigate space not as a map but as an emotional residue.