Meditation 1 (Infinite Regression)

This work stages a hypnotic field of concentric rings that pulls the gaze inward, like a slow vortex where perception becomes the subject. Bands of saturated color—tempered by dark intervals and crisp whites—create a breathing rhythm, alternating warmth and restraint until the center reads as both target and quiet void. The immaculate repetition suggests order and measurement, yet the optical vibration unsettles certainty, turning symmetry into a meditation on time, pulse, and the way attention collapses space. In its circular architecture, the piece feels simultaneously cosmic and intimate, as if mapping an inner orbit rather than an external world.