Almighty (Deer and Lunar Phases)

This work stages a quiet collision between wilderness and system: dark, antlered silhouettes drift across a field of ember reds and ochres, as if nature were being filed, counted, and recalled through fragments of letters and numbers. The composition layers translucent blocks, handwritten traces, and lunar-like discs that hover at the top edge, turning the picture plane into a palimpsest where memory, measurement, and instinct compete for authority. By allowing the deer to remain both present and partially dissolved into the grid of marks, the artist suggests a fragile coexistence—an ecology translated into human language, yet always resisting full capture.