Untitled 10

This composition stages a tense dialogue between crimson abrasion and a near-void of black, as if the image were excavated from an emotional underlayer rather than painted on a surface. The red forms read like fragmented architecture or a body in motion—scraped, reassembled, and partially erased—while the thin white diagonal cuts through like a seam of clarity, separating impulse from restraint. Gestural textures and scumbled marks create a sense of impact and aftermath, suggesting memory as something both violently vivid and continually edited. In this stark economy of color, the work becomes a meditation on fracture and resolve, where containment itself feels charged.