

This diptych unfolds like a suspended horizon, where sun-warmed ochres and muted golds dissolve into veils of atmosphere, allowing space itself to become the subject. Subtle rectilinear forms—half-architectural, half-memory—hover and interlock, their softened edges suggesting structures perceived through time rather than directly seen. The quiet punctuations of thin vertical lines act as measured breaths, stabilizing the composition while hinting at thresholds, crossings, and the fragile geometry of inner landscapes. What emerges is a contemplative meditation on presence and erasure, where light is not illumination but a patient, lingering residue of experience.